writing
Experimental Dance and the Somatics of Language: Thinking in Micromovement is about dance’s relationship to language. It investigates how dance bodies work with the micromovements elicited by language’s affective forces, and the micropolitics of the thought-sensations that arise when movement and words accompany one another within choreographic contexts. Situating itself where theory meets practice—the zone where ideas arise to be tested, the book draws on embodied research in practices within the lineages of American postmodern dance and Japanese butoh, set in dialog with affect-based philosophies and somatics. Understanding that language is felt, both when uttered and when unspoken, this book speaks to the choreographic thinking that takes place when language is considered a primary element in creating the sensorium.
Palgrave New World Choreographies Series
October 2023
reviews
“Nicely’s research is theoretical and experiential. [...] Nicely is able to both zoom in and zoom out in her understanding of language and micromovement; she values the individual, the relational, and the global.”
“Letting Language Dance.” Kristin Marrs, Dance Chronicle (2024)
“Nicely’s book … offers a deep exploration of how language evokes movement and how words lead to sensations… This book is an inspiring and compelling new read for graduate students and researchers around somatics, phenomenology, postmodern dance, and butoh.”
“12 Must-Have Dance Education Books of 2023.” Jill Randall, Dance Teacher (2023)
“Language Creates the Body Anew: Kasai Akira’s Post-Butoh.” Booklet 32, Keio University Press
2025 (forthcoming)“Becoming A Frame”
Review of An Empty Room by Michael Sakamoro
Dance Chronicle 46: 2
May 2023“Love, A Research Practice”
Performance Matters 9, 1-2
Spring 2023“Protean Knowledge: On Researching while Studying with Sherwood Chen”
PARtake: The Journal of Performance as Research
March 2021Review of “Valuing Dance: Commodities and Gifts in Motion”
by Susan Foster, TDR: The Drama Review 64: 3
Fall 2020“Continuing to work on what you’re working on”
Life As A Modern Dancer Blog
February 2020“(In)Visible: Jess Curtis/Gravity”
SF Dance Matters Blog
October 2019“Dance Exhibit: Lauren Simpson Dance”
(with Michelle Lavigne)
SF Dance Matters Blog
May 2019“A New Quantified Self: Embodied Pedagogy and Artistic Practice”
(co-authored with Liat Berdugo)
International Journal of Performance Arts and Digital Media 15, 1 (2019)“Growing New Life: Kasai Akira’s Butoh”
The Routledge Companion to Butoh Performance (2018)“Curating Dialogues: The Bridge Project’s Radical Bodies”
(co-authored with Michelle LaVigne)
TDR: The Drama Review 62: 4, Winter 2019“Review of The Aging Body in Dance:
A Cross-Cultural Perspective and Dancing Age(ing):
Rethinking Age(ing) in and through Improvisational Practice and Performance“
TDR: The Drama Review 62: 3, Fall 2018“Butoh’s Subversive Somatics“
Journal of Dance and Somatic Practices 10, 1 (2018)“Trisha Brown: Posing Problems across Time and Space”
Joyce Theater New York website, 2017“Animation Project: Life at the Periphery“
Choreographic Practices Journal 8, 2 (2017)
“Examining Assumptions about Student Engagement in the Classroom: A Faculty Learning Community’s Year-Long Journey” (co-author)
Jesuit Higher Education: A Journal 6, 1 (2017)“Sara (the smuggler): Choreographing A Transparent Archive”
TDR: The Drama Review 60:4, Winter 2017“Dancer Walks Away Unscathed: or, how to survive a dance“
PAJ 114, September 2016“Review of The Choreographic by Jenn Joy“
TDR: The Drama Review 60: 1, Spring 2016“Review of Rewriting Dance”
Hope Mohr Dance online blog Fall 2015“Choreographing the City: Techniques for Urban Walking“
Liminalities: A Journal f Performance Studies 11:2, June 2015“The Subterranean Language of Jeanine Durning’s inging and Monique Jenkinson’s Instrument”
TDR: The Drama Review 58:2, Summer 2014“On Choreographic Thinking”
In Dance, March 2014“Deer in the Headlights: The Sites and Sights of Noémie Lafrance’s Home”
TDR: The Drama Review 53:4, Winter 2009“DV8 Physical Theatre’s ‘Straight Talk”
Dancer Magazine, February 2009“Living Tissue: Teaching and Learning Butoh in the 21st Century”
Dancer Magazine, June 2008“Review of Feelings Are Facts by Yvonne Rainer”
Movement Research Journal, December 2006“To PhD or not to PhD”
In Dance, October 2006“The Means Whereby: My Body Encountering Choreography via Trisha Brown’s Locus”
Performance Research Journal, December 2005“Dancer José Brown, In Memoriam”
Reed College Magazine, Fall 2001“Dancing Through”
Contact Quarterly, Winter/Spring 2000“Trisha Brown in Process”
The Terpsichorean, March 1996“Dance Book Reviews”
The Terpsichorean, July 1995